Marina Oorthuis Oorthuis itibaren Thaliala, Pakistan itibaren Thaliala, Pakistan

ORIGINALLY POSTED AT Fantasy Literature. Treason Keep, the sequel to Medalon, is more of the same: a fast pace and fun characters overshadow the not-so-tight plot. Jennifer Fallon keeps things interesting by expertly developing a couple of characters who were briefly introduced in her first book: Damin Wolfblade, an intelligent barbarian warlord (always a good thing, in my opinion), and Adrina, a spoiled princess whose daddy wants to marry her off because he's tired of paying for her escapades -- she just demolished the city's wharf while trying to dock a nobleman's yacht while she was drunk (the yacht sank). I was impressed with how Ms Fallon gave us very short but meaningful glimpses of Damin and Adrina in the first novel -- their personalities in Treason Keep were completely consistent with what we had previously learned about them, and it was clear that Ms Fallon had consciously prepared that. I noticed this sort of preparation for the future in this novel, too. For example, at one point, Tarja tells Damin that he'll owe him a big favor, and I'm sure we'll be seeing a reminder of this in a later installment. So Damin and Adrina join Tarja and R'shiel, the established main characters who we already know and love, and several other old and new characters, making this novel both familiar and fresh. Fallon effectively uses different characters' points of view to tell the story (Adrina's point of view is particularly entertaining) and there is enough humor and romance to counterbalance some of the disturbing and violent events. There were a few things that just didn't make sense to me, however. For example, Joyhinia is now out of commission and a large group of the Defenders have broken off from the Sisterhood and gone north to defend Medalon from the Kariens without permission of the Sisters. There is a lot of fretting about how to trick the quorum into making Mahina First Sister so that she can sanction their plans and send more Defenders. An elaborate and unreliable scheme is contrived when it seems safer, and more likely to work, to just go to the quorum and tell them the truth: "Hey sisters, look at Joyhinia. She's lost her mind and there's a bunch of our enemies massed at the border. Could we appoint a new leader and send some troops to defend the country?" Also, the religious and magical systems seem arbitrary and convenient. It's not quite clear what gods and demons can do (and when), why R'shiel can call them to help her sometimes but not other times, what kinds of powers she has, and how the magic works. And why does she wear Harshini dragon rider leathers but never rides a dragon? The plot of Treason Keep is not drum-tight, but the characterization and pleasant writing style make this an enjoyable read nonetheless. Read more Jennifer Fallon book reviews at Fantasy Literature .

This was originally a textbook for an English/Psych class at LCC, but I enjoyed it so much I kept it. I thought I'd read it again and do some inner-reflection.

I am happy to report that this is the first book in this series where I did not come across any GLBT failure. I think Pettersson just decided to go all out with her erasure. As a straight person, I am not in a position to say that the complete erasure was a relief, because it also represents a form of failure that is reoccurring in this genre. Once again, the book takes places in Las Vegas, and there are no people of colour. As a woman of colour, I can say that after watching her treatment of the GLBT community, that I am kind of happy to be erased. If I had to say that this particular book had any message at all, it would be that absolutism is dangerous. Throughout the series, Joanna/Olivia's nemesis is her biological father tulpa. His mission is to either destroy her before she can bring about his destruction, or to force her into becoming his ally. When we examine this from a womanist perspective, it is clear that in this case that the tulpa constructs her as a possession to be claimed or punished/destroyed for a failure to submit. When we consider that historically daughters have always been understood to be the possession of their fathers until they were lawfully wed, the tulpa's quest to claim to Joanna/Olivia fits into the framework of women as objects. On the other side of the equation we have the warriors of the light led by Warren. From the beginning of the story, Warren has been either outright deceitful or manipulative. He justifies this by saying that as a leader, he does not have to explain his actions, and that he has the best intentions for his crew. Unfortunately, Warren's best intentions mean sacrificing anyone in his bid to destroy the Tulpa. He said at the end of the third book that the only reason he didn't erase Ben's memory, is because he didn't want Joanna/Olivia distracted, and in this book, he manipulates the end of the budding relationship between Hunter and Joanna/Olivia, because he feels that this would distract her from her true purpose. When Joanna attempts to make it clear that she is a person, he tells her that she is a weapon. Warren also sent her to Midheaven knowing that it would weaken her, but because it was part of his goal to strip her down and remake her in his image, he had no problem with the loss. Warren does not actively seek Joanna/Olivia's death, but he is hardly much different in his approach to her than the tulpa. Once again Joanna/Olivia is an object to be manipulated at will. Read more

This was eye opening on so many levels. A very informative and engrossing story about science told simultaneously with the tale of the Lacks family.