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Gitar penası tırnak küçük boy PCF Gitar penası tırnak küçük boy PCF. Yapım malzemesi: Selulit kaliteli dupond malzeme. Resimde de görüldüğü üzere, parmakların üzerine rahatça takılabilir. Gitar çalarken gereken uzun tırnakların yerine kulanılır. Dikat : Bu ürün tek satılır. Yani  resimde birden fazla görünmesine rağmen, bu fiyat bir adet içindir. İhtiyacınız adet miktarı ne kadar ise in secret kadar sipariş verebilirsiniz.

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Gitar penası tırnak küçük boy PCF

jemmatitheridge

Update the second, March 08 Well, well, well [she says, much subdued, pensive; not at all her normal, boistrous, effusive self]. Here we are, March 1, 2008, and I have just closed the cover of Against the Day. I suppose it's hard to even talk about a tome like this, a thing of this range and scope and breadth. I'd really like to use all the superlatives I can, and then invent new words to describe Pynchon and what he does, because he really is like nothing else ever. In fact, I've been saying that to all my friends over the months I've been ensconsed in this book, that what Pynchon writes are not novels, in any traditional sense, I think. They just flagrantly ignore the rules of structure, and sense, and momentum. If you'll indulge me, I've come up with a sort-of analogy for this. It's like, instead of reading a book, you're like reading a chunk of a river. (Bear with me here.) Whereas normally a book will progress, go beginning-middle-end, this one is like a million rivulets, each slipping overunderthrough one another, that you follow for a second, or a couple pages, until they go back under and get lost in the general cacophony. Lots of the characters even have names like that -- Stray, Reef, Lake, Heartsease, Ljubica (which means 'love'), Ryder -- that just slip through your fingers as you say them, as the characters go somewhere else and you lose track. There are no beginnings or ends to a river (see? I'm bringing it back), you just watch as different bits of it flit by. I mean, how can I read something else now? This book kind of disassembles your concept of reading, of how to read, of how to go through a book. In a way I feel like I should just keep reading this, over and over, for the rest of my reading life. Also, because of all this, 1,085 pages is really nowhere near enough. There is so much more to the lives of these characters! I mean because the book really encompases the whole world, right? So everyone is still living somewhere, in the world between the pages (because, oddly, I don't know that anyone of note actually dies in this book), and I want to know what they do with the rest of their lives, who they go on to love, how they fight, what cities they stumble through, how they find their circuitous destinies. (This is insanely presumptuous, but I think Pynchon might be fond of that thought, since so much is made in this book of people doubling, and living many lives, in and out of the world, or the 'Counter-Earth', or within photographs, or after having Zombini do some kind of spell, or that thing with the Iceland spar, which I don't know if I really get.) I guess I'm babbling. But I think that's fitting too, for this book. I've gotten a lot of different kinds of shit from different friends for my rapturous devotion to Mr. Pynchon. I don't care. I also don't care that this is probably a sort of frustrating review, which doesn't say much at all about the book. I also don't care that there is obvs so much in this book that I didn't get, and would never get, even if I did spend the rest of my reading life on it. I don't care. I am fiercely in love with Against the Day. I am fanatically devoted to Thomas Pynchon. I am so, so thrilled that I read this book. Update, Jan 08 In case anyone's keeping track, I am just a smidge over halfway through this fucker. And as a diversion, I present you with a few random samples of Pynchonery: "Abruptly, sweeping into the scene like an opera singer with an aria to unload, here came 'Mr. Ace,' as he called himself. Glossy black eyes, presented like weapons in a duel. When he smiled, or attempted to, it was not reassuring." "It was all he could do not to reach for her, gather her into some kind of perimiter. But the moisture in her eyes was shining like steel, not dew, and nothing about her trembled." "You could hear faint strands of music, crazy stuff, banjos and bugling, trombone glissandi, pianos under the hands of whorehouse professors sounding like they came with keys between the keys." "Dally's voice was hard to pin down to any one American place, more of a trail voice with turns and drops to it, reminders of towns you thought you'd forgotten or should never've rode into, or even promises of ones you might've heard about and were fixing to get to someday." See? See?? First entry, Nov 07 wooooo hoooooooooo!!!!! (that's me going down the rabbit hole, as it were, into the depths of Pynchonalia) Also, it's so convenient that the folios of this book are such that there are five blank pages at the back. Now I can (with no shame whatsoever) keep a list of all the characters! How the hell else am I going to make it through a 1,085-page monstrosity?

2023-02-28 03:22

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